Taschen El Greco 8 including those of children in

including those of children in cotton mills

with plastic tires

and his inclusion in the Nazis’ infamous “degenerate art” exhibition in 1937

We Tell Ourselves Stories in Order to Live by Joan Didion

Taschen El Greco 8 including those of children inThroughout his career, as he progressed from Crete to Venice, to Rome and ultimately Toledo, Spain, The Greek stood apart from his peers, merging different Western art traditions to create a unique pictorial language. El Grecos single minded style rejected naturalism and rejected accessibility. Works such as The Disrobing of Christ (157779), The Burial of the Count of Orgaz (158688), and The Vision of St John (160814) reveal elongated, twisted